Black Rebel Motorcycle Club - Beat The Devil's Tattoo
NME.COM feature on Black Rebel Motorcycle Club - Beat The Devil's Tattoo album including album review, artwork, tracks, listen now, tour dates, discography and more.
Release date: 09 February 2010
An earnest offering and not much else
“No apologies, no lyrics, no regrets, just abstract,” BRMC said of ‘The Effects Of 333’ , the background noise album they put out at the tail end of 2008. This statement, coupled with the fact that a) it sounded like – well, it was – the product of a competent-but-ultimately-quite-conservative Jesus & Fairly Plain three-piece skimming the Wikipedia entry for Lou Reed ’s...
- Mar 12, 2010
When they get stuck into the big dumb gonzo chorus it’s more infectious than yawning
- Aug 15, 2013
BRMC dodge indoor-shades and leather-jacket-clad self parody to find a second wind
- Mar 19, 2013
- Jul 30, 2007
Band's Robert Levon Been performs on pavement after venue's fire alarm sounded
The band will play an intimate free gig on July 23
Plus a new-look Big Pink showcase four new songs at Brixton Academy
Black Rebel Motorcycle Club - Beat The Devil's Tattoo: Wikipedia Album Entry
Black Rebel Motorcycle Club's 2010 album, Beat the Devil's Tattoo, finds the band splitting the difference between the rootsy Americana of 2005's Howl and the return to fuzzed-out noise rock that was 2007's Baby 81. Having once again parted ways with original drummer Nick Jago, bassist Robert Levon Been and guitarist Peter Hayes seem to have found a renewed creative spark with replacement drummer Leah Shapiro. Shapiro comes to the fold with strong noise rock credentials, having been a member of the punk-psych N.Y.C.-based Dead Combo and touring with the Raveonettes. With an overall sound that seems inspired by a searing mix of old-timey blues mixed with a hypodermic blast of melodic noise, there is a driving, wild-eyed intensity to many of the tracks on Beat the Devil's Tattoo. From the opening death-ballad title track and the gospel-meets-Madchester "Conscience Killer," the stoned robot funk of "War Machine," and the blissed-out acoustic folk ballad "Sweet Feeling," BRMC are in top form. But if you're looking for gutting-jet-engine lift-off, the cosmically epic, sanguine rock anthem "Bad Blood," with its repeated chorus of "I can see it in your eyes and now it's gone" is, like the rest of Beat the Devil's Tattoo, likely to grab you by the throat and leave its mark for some time to come.
Review by Matt Collar
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