Black Rebel Motorcycle Club - B.R.M.C.
NME.COM feature on Black Rebel Motorcycle Club - B.R.M.C. album including album review, artwork, tracks, listen now, tour dates, discography and more.
Release date: 25 August 2008
Tracklisting click track to read more
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Black Rebel Motorcycle Club News
Black Rebel Motorcycle Club's Robert Levon Been fined for hitting fan in the eye with a bottle
Bassist ordered to pay £15,800 in damages and given a three-month suspended sentence
Black Rebel Motorcycle Club announce December UK tour and ticket details
Band set for seven UK gigs later in 2010
Black Rebel Motorcycle Club have equipment stolen
Band lose kit after one of their lockers was broken into
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Black Rebel Motorcycle Club - B.R.M.C.: Wikipedia Album Entry
This L.A.-based band (originally hailing from San Francisco) came along just when they were needed most. This self-produced major-label debut boldly plunders a reverb-and-white noise course previously trampled underfoot by long-gone British bands of the late '80s and early '90s (the Jesus & Mary Chain, the Verve, Ride, the Stone Roses, etc.). It all sounds very British, on many levels, despite the fact that only one band member is an Englishman living in exile in the States. On some songs, however, the driving, over-amped guitars (often buzzing with "VU needles-in-red"-type feedback) and pounding drums have a swaggering primeval feel that rivals solid Detroit rock outfits, both old and new (including the Stooges and the Go, to name two). A few have dark, introspective lyrics, with subjects like impending death ("Rifles" at their heart, while others have a positive, more uplifting feel (cf. "Salvation"), but it's really the group's cohesive, solid production overall that captures a shoegazing, blustery rock vibe not heard for nearly a decade or more. Highlights abound on this astonishing disc, including the bitter opening salvo, "Love Burns," the diaphanous space pop of "Too Real," and the flurry of sawtooth guitar scree that is "Whatever Happened to My Rock n' Roll (Punk Song)," a track recalling the manic intensity of the Stooges circa Fun House.
Review by Bryan Thomas
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