Black Rebel Motorcycle Club - Take Them On, On Your Own
NME.COM feature on Black Rebel Motorcycle Club - Take Them On, On Your Own album including album review, artwork, tracks, listen now, tour dates, discography and more.
Release date: 25 August 2008
Black Rebel pick a fight with the US Government, generational apathy and pretty much anything else on their epic, powerful second album
Right now, there are a million bands out there paying lip service to the ideas of independence and freedom of expression, but you can count the number actually practising what they preach on the fingers of one hand. Black Rebel Motorcycle Club , though, are definitely one of them. One of the primary functions of rock'n'roll is to act as rebel or protest music. At a time when...
- Jul 26, 2003
When they get stuck into the big dumb gonzo chorus it’s more infectious than yawning
- Aug 15, 2013
BRMC dodge indoor-shades and leather-jacket-clad self parody to find a second wind
- Mar 19, 2013
An earnest offering and not much else
- Mar 12, 2010
The San Francisco trio play 19 tracks in an almost two-hour set
Band's Robert Levon Been performs on pavement after venue's fire alarm sounded
The band will play an intimate free gig on July 23
Black Rebel Motorcycle Club - Take Them On, On Your Own: Wikipedia Album Entry
Black Rebel Motorcycle Club made an impressive debut in 2001, taking both America and England by surprise while alternative metal ruled the charts. Their psychedelic/space rock/glam-colored blend was hungry to give rock a new face. Three years later and garage rock still reviving the late-'90s pop-soaked scene, Black Rebel Motorcycle Club aims to save a bit of rock & roll with its sophomore effort Take Them On, On Your Own. More gutsy, more aggressive, and more dynamic than B.R.M.C., Take Them On, On Your Own blazes on with an intoxicating presentation from the Brit-American collective; vocalist/bassist Robert Turner and guitarist/vocalist Peter Hayes boasted cocksure appeal on the last album, however Take Them On, On Your Own showcases drummer Nick Jago's powerful presentation, ultimately bringing the trio together. They're fearless and this dozen-track release is all swagger, emotive, and cool. Swanky guitar riffs and Turner's faltering drawl on "Stop" and "Six Barrel Shotgun" is classic BRMC. There's not a lot of sauntering like "Red Eyes & Tears" and "Spread Your Love" or snarly punk-tinged bits like "Whatever Happened to My Rock & Roll." The band gives the impression that the last album was lifeless, therefore, the split in song and craft on Take Them On, On Your Own isn't exactly a messy thing. There's more character to songs themselves and BRMC appears a touch more confident. From the acoustic ballad "And I'm Aching" to the post-punk fire of "U.S. Government" and "Rise or Fall," BRMC offers substance over shtick. Reworking some of rock & roll's natural components for their own brash arrangement highlights the band's overall brilliance. For only a second album, they've got the maturity that most young bands lack on a creative level. Such tenacity will carry them a long way.
Review by MacKenzie Wilson
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