Cults’ 2011 self-titled debut album was a triumph. Madeline Follin and Brian Oblivion’s use of echo, fuzz and well-chosen spoken-word samples transformed their fairly standard indie-pop songs into something a…

In the throes of puppy-eyed passion, music holds a peculiar sway over lovers, coaxing out insufferable sweet nothings. Not to mention the heinous idea of an “our song”. Of course,…