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Davy Graham

NME.com feature on Davy Graham including news, reviews, biography, youtube video, audio, concerts, tour dates, photos, pictures, commentary, album reviews and live reviews and cool facts.

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YouTube Davy Graham Videos

Davy Graham - Cry Me A River Play Video

Davy Graham - Cry Me A River

Guitarist Davy Graham playing Cry Me A River, as captured in a 1959 BBC documentary directed by Ken Russell on the rise in popularity of the guitar in Britain.

Davey Graham - Folk Britannia Play Video

Davey Graham - Folk Britannia

Seeing the very little Davey Graham footage on here, I've uploaded an excerpt from BBC4's Folk Britannia Episode 2. Includes footage of his TV performance of "She moves through the fair" and a brief interview with the...

Davey Graham - Medley: She Moved Thru' the Bizarre/Blue Raga Play Video

Davey Graham - Medley: She Moved Thru' the Bizarre/Blue Raga

"The DADGAD tuning was used extensively by Jimmy Page of Led Zeppelin and The Yardbirds in the late '60s and '70s. While with The Yardbirds, Page recorded an instrumental entitled White Summer, itself inspired by the...

Davy Graham - Anji Play Video

Davy Graham - Anji

From the album - The Guitar Player

cocaine - Davey Graham Play Video

cocaine - Davey Graham

Davey Graham's 'Cocaine' from Folk Blues and Beyond

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Davy Graham Biography

David Michael Gordon Graham, known as Davey Graham (originally Davy Graham), (26 November 1940-15 December 2008), was a British guitarist and one of the most influential figures in the 1960s British folk revival. He inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, John Renbourn, Martin Carthy, John Martyn, Paul Simon and Jimmy Page, who based his solo "White Summer" on Graham's "She moved thru' the Bizarre/Blue Raga" and "Mustapha". Graham is probably best-known for his acoustic instrumental, "Anji" and for his pioneering use of DADGAD tuning, later widely adopted by acoustic guitarists.

It was not in Graham's nature to pursue fame and fortune and he retired to relative obscurity for many years, when he engaged in charity work and teaching as well as protracted periods of drug use, before beginning to tour again in the years before his death. His childlike, almost obsessive, enthusiasm for music never left him, however, and he would gladly give a free private concert to any chance acquaintance.

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