The group were an important part of the Tokyo Shibuya-kei scene in late 80's to early 90s, and Oyamada went on to produce work for Pizzicato Five and his close friend Kahimi Karie.
The band were show their influence on their sleeves, and their song titles often either namechecked their British artists influence — Goodbye Our Pastels Badges, Haircut 100, The Colourfield; the last album Doctor Head's World Tower treads the line between inspiration and plagiarism of Primal Scream's "Screamadelica", Madchester artists like Stone Roses, Happy Mondays and Neo-psychedelia music which much popular in the early 90's.
Following the demise of the band in 1993 the two members pursued solo careers, Ozawa releasing the album "The Dogs Bark But The Caravan Moves On" under his own name, and Oyamada recording under the name of Cornelius. It was as Cornelius that Oyamada gained a minor cult following outside Japan, as well as remix work for the likes of Blur, Beck, and the Manic Street Preachers.
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