Recent installations include The Phone Booth Project at Clocktower Gallery in New York.
'Described most recently as "art-rock installation paratroopers" and "a studied form of New Wave anarchism" by Flash Art, a "Performance Galaxy" by Vanity Fair, "Super hard, incredibly fast and overall inspiring" by Thrasher, "more accessible than other bands of its genre" by the New Yorker, and "the best band ever, straight up" by Tokion. Japanther has always been a band apart, running the gamut from performance art to punk rock and back again. Pushing parties to the limit ("Lincoln Center punk-rock concert turned mini-riot" -New York Post), Japanther returns in 2011 with Beets, Limes and Rice, a celebration of ten years in the underground and an ultra-contemporary meditation on "catharsis and being in love in a time of darkness.". Following on the heels of Rock 'n' Roll Ice Cream (2010), Beets, Limes and Rice was again recorded in the hills of Los Angeles with producer Michael Blum, who has worked with Michael Jackson, Madonna (Like a Prayer, Who's That Girl), Pink Floyd and Suicidal Tendencies. From Venice Beach to Rockaway Beach, this new album delivers a new urban punk rock dance sound that bursts with California sunshine and amped-up collaborations with Ninjasonik, Erick Lyle, Total Warr and John McIntyr. Beets, Limes and Rice was written in the midst of "It Never Seems to End," an 84-hour performance piece in Vienna, Austria for TBA 21; in Paris, Venice, during cross-country travel from Juarez to Brooklyn to Bellingham, and lots of airports in between.
The band's latest album, Beets, Limes and Rice, was released on October 18th in digital and vinyl format from Recess Records, on CD from Japanther's own Tapes Records, on cassette from Lauren Records, and by Seayou Records in Europe. The artwork for the album was created by Monica Canilao, whose art focuses on craft, reclaimed materials, and "the meaning of home, the power of collectivity and the imprint history has left on me."
Japanther's next project is a November 2011 residency culminating in a performance at the Experimental Media and Performing Arts Center (EMPAC). Japanther's performance is commissioned in conjunction with Quote Unquote: Experiments in Time-Based Text, an interdisciplinary series presenting work by artists that use an existing text as a departure point for installation, film, and performance. For this new performance, Japanther presents an analog narrative of grand scale utilizing performance, live music, and animation, inspired by Walt Whitman's The Mystic Saxophonist.
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