Alex Paterson prides The Orb on manipulating obscure samples beyond recognition in their albums and concerts; however, his unauthorised use of other artists' works has led to disputes with musicians, most notably with Rickie Lee Jones. During their live shows of the 1990s, The Orb performed using digital audio tape machines optimised for live mixing and sampling before switching to laptops and digital media. Despite changes in their performance method, The Orb have maintained their colourful light shows and psychedelic imagery in concert. These visually intensive performances prompted many critics to compare The Orb to Pink Floyd.
The Orb's critical and commercial success in the UK peaked in the early 1990s with their albums The Orb's Adventures Beyond The Ultraworld and U.F.Orb, which reached #1 on the UK Albums Chart in 1992. This success led to their infamous appearance on Top of the Pops, where they showcased their quirky style by playing chess (an interest of Paterson's since his early youth) while the group's single "Blue Room" ran in the background. The Orb's mid-1990s albums were met with mixed reactions from UK critics; however, their work received praise from American publications such as Rolling Stone. They experimented with vocalists on their next two albums, which critics generally described as bland and uninspired. The Orb shifted to the minimalist techno style spearheaded by member Thomas Fehlmann, releasing their new material on the record label Kompakt.
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