Pink Floyd - The Division Bell
NME.COM feature on Pink Floyd - The Division Bell album including album review, artwork, tracks, listen now, tour dates, discography and more.
Release date: 02 October 2006
Tracklisting click track to read more
- Cluster One
- What Do You Want From Me
- Poles Apart
- A Great Day For Freedom
- Wearing The Inside Out
- Take It Back
- Coming Back To Life
- Keep Talking
- Lost For Words
- High Hopes
Oh By The Way
- Dec 11, 2007
Classic '60s British spook-rock reissued
- Sep 4, 2007
...the clinical readings of such guitar-laden pomp fests as [B]'Mother'[/B] are so similar to their vinyl ancestors as to be rendered virtually pointless. ..
- Apr 28, 2000
Thorgerson also created sleeves for Biffy Clyro, Led Zeppelin and Muse
Mason steps in to fund the shop where he bought his first kit
Singer ties the knot with his long-time fiancée Laurie Durning
Pink Floyd - The Division Bell: Wikipedia Album Entry
The Division Bell is the final studio album by Pink Floyd, released in 1994 (30 March in the United Kingdom and 5 April in the United States), and the second album without original bassist Roger Waters. It was recorded at a number of studios, including guitarist/vocalist David Gilmour's houseboat studio called The Astoria. It went to #1 in the UK and debuted at the top of the U.S. Billboard 200 album charts in April 1994, spending four weeks as the top album in the country. By contrast, Pink Floyd's previous album, A Momentary Lapse of Reason, had peaked at #3. The Division Bell was certified Gold, Platinum, and Double Platinum in the U.S. in June 1994 and Triple Platinum in January 1999. Its release was accompanied by an extremely successful tour documented in the P•U•L•S•E album released the following year.
Before the Roger Waters-led period, David Gilmour stated that the music and lyrics were in balance, and the importance of the music was understood. The Division Bell's atmosphere is spacier, sounding more like Meddle or Obscured by Clouds than the grittier and harsher tones of Animals or The Wall. David Gilmour and keyboardist Richard Wright stated on "In the Studio with Redbeard", which spotlighted The Division Bell (including interviews which were recorded for the world premiere special of The Division Bell aired one week before its U.S. release) that the album was the band's best since their 1975 release Wish You Were Here.
This release marks the first time Richard Wright had sung lead vocals on a Pink Floyd album since 1973's The Dark Side of the Moon, although he did provide backing vocals for Wish You Were Here, Animals and A Momentary Lapse of Reason. It also marks his first songwriting credit on a Pink Floyd album since Wish You Were Here.
The track "Marooned" was awarded a Grammy in the category of Best Rock Instrumental Performance at the Grammy Awards of 1995. This has been Pink Floyd's only Grammy to date.
EMI concocted an Internet-based "puzzle" known as the Publius Enigma in connection with the album's release. Officially, it was never solved.
Douglas Adams, the author of The Hitchhikers Guide to the Galaxy series, chose the name of the album, being a friend of David Gilmour. This came about because the three band members could not agree on an album title (with both "Pow Wow" and "Down to Earth" being suggested). When Gilmour told Adams about the problem, Adams quickly responded that he had a title, but that he would only tell Gilmour if he would donate £25,000 to the Save the Rhino foundation . Gilmour agreed and the name, taken from a line in the final track, "High Hopes", was suggested. The phrase itself derives from the division bell, which is rung in the British House of Commons, and some other legislatures, to signal the commencement of a division (vote) to Members of Parliament.
Despite no specific over-arching concept, there is a musical connection between the songs in the form of a linking theme of communication and the lack of it. Tracks such as "What Do You Want from Me", "A Great Day for Freedom" and "Take It Back" seem chiefly concerned with communication problems within relationships, while "Keep Talking" is more generally about the importance of maintaining a dialogue and the dangers of allowing oneself to become insular. Samples of Professor Stephen Hawking from a telephone company advertisement provide the spoken word portions of "Keep Talking".
While some songs can be interpreted as references to the then ongoing relationship problems between Pink Floyd members, especially the long-standing estrangement between David Gilmour and Roger Waters, Gilmour denies that the album is an allegory for the split and acknowledges only "a couple of hinted mentions that could or could not have something to do with him [Waters]".
At the end of the album, Gilmour's stepson, Charlie, can be heard hanging up the telephone on Pink Floyd manager Steve O'Rourke, who had pleaded to be allowed to appear on a Pink Floyd album.
We started off by going into Nick's studio, Brittania Row studio in London, in January 1993 with myself, Nick [Mason], and Rick [Wright], and Guy [Pratt], the bass player from our last tour. And we just jammed away at anything for two weeks, just playing anything that we had in our heads or that we made up on the spot. And then we took all that over to Astoria and started listening to all the tapes and working stuff out. We found that we had 65 pieces of music, which we worked on all of to a certain extent, and then we started adding these things. We had a couple of sessions which we called 'The Big Listen' where we listened to all these 65, and all the people involved with it voted on each track, on each piece of music as to how popular it was with them. And so we then arranged these 65 pieces of music in order of popularity amongst the band, and then we dumped 40 of them, and worked on the top 25, which in fact became the top 27 because a couple more got added in. And so the process went on from there with us working away on all these pieces of music and gradually either merging pieces together or scrapping them until we finally were down to about twelve to fifteen things that we all kind of liked. And in the end one or two of them went by the way, and we were left with eleven on the album, I think. ”
-David Gilmour, Questions and Answers with David Gilmour
The album was received mostly poorly by professional critics despite its strong sales. Jerry McCully of Amazon.com said of the album in his editorial review that "The Division Bell is not a great Pink Floyd album, but an all-too-fallible simulation". Tom Sinclair of Entertainment Weekly echoed McCully's sentiment, giving the album a grade of "D" and saying that "avarice is the only conceivable explanation for this glib, vacuous cipher of an album, which is notable primarily for its stomach-turning merger of progressive-rock pomposity and New Age noodling". Tom Graves of Rolling Stone criticized lead guitarist David Gilmour's performance on the album, stating that his guitar solos "were once the band's centerpieces, as articulate, melodic and well-defined as any in rock, [but] he now has settled into rambling, indistinct asides that are as forgettable as they used to be indelible", adding that "only on 'What Do You Want from Me' does Gilmour sound like he cares". Waters described the album as "rubbish," and mocked Gilmour's decision to have his wife write many of its lyrics. However, the album enjoys a strong positive reputation with Pink Floyd's fanbase. Mark Henderson of the Pink Floyd fansite Pink Floyd.net called the album "quite possibly one of the most amazing albums of all time", adding to fellow Pink Floyd.net reviewer Tim Shelton's comment that The Division Bell "encompasses the best aspects of the band".
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Artist/Album artwork images hosted by Last.fm. For copyright enquiries please see here.
(David Gilmour/Polly Samson/Nick Laird-Clowes)
Did you know...it was all going to go so wrong for you
And did you see it was all going to be so right for me
Her love rains down on me easy as the breeze
I listen to her breathing it sounds like the waves on the sea
I was thinking all about her, burning with rage and desire
We were spinning into darkness; the earth was on fire
I was spending my time in the doldrums
I was caught in a cauldron of hate
I felt persecuted and paralyzed
I thought that everything else would just wait
(David Gilmour/Polly Samson)
Beyond the horizon of the place we lived when we were young
In a world of magnets and miracles
Our thoughts strayed constantly and without boundary
(David Gilmour/Polly Samson)
On the day the wall came down
They threw the locks onto the ground
(David Gilmour/Richard Wright/Polly Samson)
For millions of years mankind lived just like animals
Then something happened which unleashed the power of our imagination
Where were you when I was burned and broken
While the days slipped by from my window watching
(Richard Wright/Anthony Moore)
From morning to night I stayed out of sight
Didn't recognize I'd become
(David Gilmour/Richard Wright/Polly Samson)
As you look around this room tonight
Settle in your seat and dim the lights