Devine first started using computers for composition around 1993. Don Hassler, an instructor at the Atlanta College of Art, got him interested in computer synthesis, introducing Devine to CSound and other powerful computer-based applications. Devine claims he coded a couple FFT applications in SuperCollider, an environment and programming language for real-time audio synthesis. "It's interesting, because you're doing things to sound that just aren't physically possible."
Devine also uses Native Instruments (NI) software. His favorite NI applications are Reaktor and Absynth. Devine has designed sound patches for NI's Absynth. He has also scored commercials for Nike and Touchstone Pictures, and engineered and performed his own music worldwide.
Though he has contributed sound design to a number of hardware and software manufacturers, he recently released his first official sample library through [http://www.sonycreativesoftware.com Sony Creative Software] entitled [http://www.sonycreativesoftware.com/loop_libraries/showloop.asp?spid=505 The Electronic Music Manuscript: A Richard Devine Collection]
[) Sublight Records 2005]]
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