The Brights

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NME.com feature on The Brights including news, reviews, biography, youtube video, audio, concerts, tour dates, photos, pictures, commentary, album reviews and live reviews and cool facts.

The Brights Music Videos

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The Making Of 'The Bright Lights Of America'

Official music video for the track The Making Of 'The Bright Lights Of America' by Anti-Flag.

The Brights 'Footsteps' promo video. Captured during the band's UK tour Oct 2010. Keep an eye out for a cameo appearance by Pop-up Pirate, and a failed cross-bar challenge, among other things! If you haven't already,...

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Anti-Flag - The Bright Lights of America (good quality)

A new song by Anti-flag, i personally love it

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The Brights - A Cameo Can't Last Forever

Official video for the 2nd single 'A Cameo Can't Last Forever' from The Brights, taken from their forthcoming debut album 'A Trivial Pursuit'. The single is available for download from the 18th April 2011 from all...

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"Sleepless Aristotle" Bern & the Brights Live at the MPL 11 22 08

This was from a Bern & the Brights live performance at The Montclair Public Library in Montclair, NJ. The title of the song is "Sleepless Aristotle" written by Catherine McGowan of Bern & the Brights. Catherine...

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THE BRIGHTS / A TRIVIAL PURSUIT - TRAILER

2011.07.06 ON SALE! RIMO-020 2200YEN (TAX INC.) RIMEOUT RECORDINGS -Track List- 1. FOOTSTEPS 2. A CAMEO CAN'T LAST FOREVER 3. MONDAY LIVES NEXT DOOR 4. FALSE ALARMS 5. BARRICADE OF LOVE 6. PRIDE STEP ASIDE 7. HANDS...

The Brights Biography

Francis John (Frank) Tovey, also by his stage name as Fad Gadget (8 September 1956 – 3 April 2002), was a British avant-garde electronic musician and vocalist. He was a proponent of both New Wave and early Industrial music.

As Fad Gadget, his music was characterized by a use of synthesizers in conjunction with sounds of found objects, including drills and electric razors. His bleak, sarcastic, and darkly humorous lyrics, often layered in meaning and discussing subjects such as machinery, building construction, human sexuality, and physical violence, were sung in a droning, often expressionless voice.

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