TV on the Radio - Dear Science (Deluxe)
NME.COM feature on TV on the Radio - Dear Science (Deluxe) album including album review, artwork, tracks, listen now, tour dates, discography and more.
Release date: 16 September 2008
For someone who has achieved so much – producing Scarlett Johansson, collaborating with David Bowie and standing proud at the top of NME’s Future 50 – it’s strange how there remains something of the underachiever to David Sitek. Blame TV On The Radio. It was TVOTR’s glorious 2003 EP ‘Young Liars’, made in vocalist Tunde Adebimpe’s Brooklyn loft, that brought Sitek to national...
- Sep 17, 2008
They might have seemed worthy in the past, but the US art rockers are clearly having fun this time around…
- Apr 6, 2011
Maybe that recently announced hiatus is needed...02 Brixton Academy, Monday July 13
- Jul 24, 2009
Their new album might just have leaked, but the Brooklynites are in a playful mood. Starlite Lounge, Edmonton, Canada (September 10)
- Sep 26, 2008
The band previously premiered the track live at their curated edition of ATP
Song premiered during last weekend's ATP Festival...
Frontman Tunde Adebimpe updates fans on latest activity from New York band
TV on the Radio - Dear Science (Deluxe): Wikipedia Album Entry
With lyrics and vocals that are just as ambitious and attention-getting as the music surrounding them, TV on the Radio have always had a lot going on in their music. Indeed, Return to Cookie Mountain was so elaborate that topping it would be difficult, so on Dear Science, (yes, the comma is intentional) the band channels its focus into lean, nimble songs with more structure and polish — and more focus on Tunde Adepimbe's and Kyp Malone's vocals — than any of TV on the Radio's previous work. This immediacy and crystalline clarity take some getting used to, especially compared to Cookie Mountain's lavish yet organic sound: "Family Tree"'s strings, pianos, and plainly worded vulnerability make it one of the band's most accessible songs, but it doesn't feel like anything was sacrificed to make it so anthemic. That feeling only deepens on the self-evidently sexy "Red Dress," which uses Antibalas' vibrant brass and taut guitars to show-stopping effect.
As Dear Science, unfolds, it becomes clear that it isn't so much a radical change for TV on the Radio as it is a slight but significant shift in approach. "Stork and Owl," an inspired mix of hypnotically looping samples and flowing, real-time soulfulness, and "Love Dog," which boasts some of Adepimbe's most affecting singing since "Staring at the Sun," could have fit easily on earlier albums with a few sonic tweaks. And, like Desperate Youth, Bloodthirsty Babes and Return to Cookie Mountain, Dear Science, begins with an epic statement of purpose — although "Halfway Home" is as sleek as it is grand, sprinting towards its end with streaking guitars — and ends in an embrace with "Lover's Day," a duet with Celebration's Katrina Ford that turns "I wanna break your back" from a threat to a come-on. Tackling love and war, often within the same song, is all in a day's work for TV on the Radio. However, the band's take on these themes is subtly but notably more optimistic here, as though lightening their sound lightened their mood as well. "DLZ" broods over "the long-winded blues of the never," but on the brilliantly funky "Golden Age," Adepimbe sings "there's a golden age coming 'round" without a trace of irony. Malone's "Crying" calls out the wrongs of the world but ends up just as hopeful as it is angry, while the pun in "Dancing Choose"'s title is pointed enough that the song almost doesn't need to prove that dancing on your troubles is powerfully therapeutic as thoroughly as it does, but that's just another example of this album's rare balance between craft and passion. That comma at the title's end seems naggingly open-ended at first, but it's actually a perfect fit for Dear Science,'s openness to possibilities and positivity.
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