Yeah Yeah Yeahs - It's Blitz!
NME.COM feature on Yeah Yeah Yeahs - It's Blitz! album including album review, artwork, tracks, listen now, tour dates, discography and more.
Release date: 13 March 2009
Facts about this album: * Yeah Yeah Yeahs are Karen O, Nick Zinner and Brian Chase. * Their third album, 'It's Blitz' was recorded partly in a snow-bound barn in Masachussets. * The album was produced by celebrate post-punk twiddler Nick Launay and TV On The Radio's Dave Sitek. Album review: Repent ye and make ready for the coming of the Lord: the end days...
- Mar 26, 2009
Webster Hall, New York, April 7
- Apr 22, 2013
The New Yorkers' fourth is a confusing, intriguing ride
- Apr 12, 2013
New York City’s finest art-punks return with a pop
- Feb 26, 2013
The track comes from the band's new album of the same name
Band headline Alexandra Palace alongside The Black Lips and Jon Spencer Blues Explosion
New York trio on course for their third consecutive Top 10 album
Yeah Yeah Yeahs - It's Blitz!: Wikipedia Album Entry
It's Blitz! is the third studio album by American indie rock band Yeah Yeah Yeahs, released March 9, 2009 on Interscope Records. It was originally set for release on April 13, 2009, however after being leaked to the internet on February 22, the release date was pushed forward to March 9 for the digital version and March 31 for the physical version. The rest of the world release date was on April 6, 2009. The first single "Zero" was released on February 24, 2009. The album was produced by Nick Launay (Nick Cave, Arcade Fire, Talking Heads, PiL), along with TV on the Radio's Dave Sitek.
The album was nominated for the Grammy Award for Best Alternative Music Album on December 2, 2009.
According to Nick Launay, one of the two producers, the recording of the album was unusual for being largely written and created in the studio at a time when record labels have cut back considerably on production budgets. The few songs the band did take along to the first sessions were later altered significantly. Launay described a typical session as follows:
"Brian would play lots of different drumbeats and we'd record it, chop it up and then make a groove loop out of it. Nick (Zinner) would then just jam to it, and we'd come up with an interesting rhythm part. Karen would listen to that and come up with a vocal melody and then suddenly everything would fall into place."
The album sessions took place over several months in 2008, during which time there were numerous breaks "to get inspired".
The album has been very well received by critics, having a weighted average rating of 82/100 (Universal acclaim), according to Metacritic, based on 36 reviews. The Guardian's Caroline Sullivan gave it 4 out of 5 stars and commended the band's more dance-oriented sound, writing "the band's glittery new disco sound suits them very well. It's all cool, brittle catchiness, with a debt owed to Eat to the Beat-era Blondie". Emily Mackay of NME gave the album an 8/10 rating and wrote that "It's Blitz!'s heartfelt love letter to the transcendent possibilities of the dancefloor is an unexpectedly emphatic reassertion of why Yeah Yeah Yeahs are one of the most exciting bands of this decade", while Spin's Charles Aaron said that it is "the alternative pop album of the decade—one that imbues The Killers' Hot Fuss and MGMT's Oracular Spectacular with a remarkable emotional depth and finesse". Later that year, Spin would place the album second on their best albums of 2009 list. Meanwhile, in a track-by-track preview of the album, The Fly said that It's Blitz! is "an amazing return for Yeah Yeah Yeahs... an instant classic", later giving the album a rating of 4.5 out of 5.
The BBC called the album "a triumphant return for New York's finest". Clash commented that the trio had achieved growth without distancing themselves from what made their name: "The album proves that they can provide epic music with personal themes, that YYYs can expand without losing what made us fall for them in the first place". Jon Pareles of The New York Times wrote that the band "grapple with separation and need, using dance beats to suggest the compulsive pleasure seeking that tries to drown out loneliness", and he commended their musical direction, stating "The band is echoing the evolution of postpunk, from dogmatic austerity to technologically assisted". However, Tiny Mix Tapes commented, "From most bands, half of a great record would be an incredible accomplishment, but we’ve heard so much better from them" and awarded the album 2.5/5. Nick Butler of Sputnikmusic, while praising the album with an overall score of 3.5/5, summarized the album will "probably date badly and, despite clearly being better than Fever to Tell, it probably won't be remembered by as many people, or as fondly by those people". Uncut's April Long gave it 4 out of 5 stars and praised its "spirit of experimentation", stating "What unifies them is a warm romanticism that runs throughout, edging out Karen’s blatant eroticism of yore – even though there are more come-downs than come-ons, every song seems to glow from within".
It's Blitz! was ranked as the third best album of the year 2009 by NME and second best by Spin. Both magazines also listed the song "Zero" as the best of the year.
Rhapsody called it the 12th best album of 2009.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Artist/Album artwork images hosted by Last.fm. For copyright enquiries please see here.
One mistake in a subtle way
Like I'm walking again, all on me
Step slowly, you know that you fall between
Dark places, what a simple web we weave
Shame is soft and safe
Lose when I play your game
Come if you call my name
Lose when I play your game
Shake it like a ladder to the sun
Makes me feel like a madman on the run
Find me, never, never far gone
So get your leather, leather, leather on, on, on, on
For all your sight, there's no sight to see
Little shadow, little shadow
To the night, will you follow me?
Unknown, talk to unknown
Ever, lasts forever
Well, it's a shock, shock to your soft side
Off with your head
Dance 'til you're dead
Heads will roll, heads will roll
Heads will roll on the floor
My mouth, you're touching. Your mouth is running. No loving, for nothing. Nobody knock my body out.
My mouth is blowing right off, I'm so gone. Incoming, out clubbin', not lovin', slow your body down.
No longer, no longer
What you ask
Heels turn black
I was feeling sad
Can't help looking back
Highways flew by
Love, my name
Love, left dry
Frost or flame