Features

Yungblud tells us about his past, present, future and new festival BludFest

Watch Yungblud tell us about following in the footsteps of David Bowie and Queen, Yungblud for his biggest gig ever at Milton Keynes Bowl, thanking his fans, beef with The 1975, and what the future holds

Club NME headliner Mae Muller’s biggest bangers

Mae Muller is playing Club NME! In her first gig of 2024, Muller will play an intimate showcase in the latest event NME will...

Mad Cool 2024 headliners: what to expect

From rising stars to rock legends, the 2024 edition of the Madrid festival has got it all

Rocket: the unlikeliest of indie upstarts are ready for lift-off

Channelling the spirit and sound of ‘90s guitar icons, this underground band are making big, open-hearted anthems for a new generation to rally around

Nickelback: “If we’re the thing you get most upset about, you’re living a charmed life”

Your new documentary is called Hate to Love. But in 2019, who did Slipknot’s Corey Taylor claim had replaced Nickelback as the world’s most...

Djo on his TikTok smash ‘End Of Beginning’: “It’s about a time when I was on the precipice of a big change in my...

Djo on his TikTok smash 'End Of Beginning', capturing nostalgia, his love for Charli XCX and potential future collaborators

Soundtrack of My Life: Nicholas Galitzine

Screen heartthrob whose first gig was Oasis in their break-up era

STAYC on covering TWICE’s ‘Fancy’ for Spotify Singles: “It really is a special song to us”

The K-pop girl group also tell NME about their respect for TWICE, trying a new style of music and hopes for 2024

Trevor Nelson on getting into the media: “You go in and you make sure they hire another one like you”

The DJ and broadcasting legend spoke to NME about the state of R&B, why pirate and community radio is so essential, the success of RAYE, and tips for minorities making it in the industry

Shifting the balance: Saffron is a safe space for women and non-binary artists to create and collaborate

The non-profit organisation aims to help women, trans and non-binary people “take ownership of their musical journeys” in the face of the music industry’s widespread gender inequality
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