Released: June 1968
Inspired by the films of Bunuel and quasi- Biblical in its lyrical bent, ‘The Weight’ became an anthem of American counterculture (see its use in Easy Rider and later Girl, Interrupted). Dylan’s backing band charmed generations of drifters with this future country-rock classic.
Released: May 1963
By the time The Kingsmen came to record their version ‘Louie Louie’ was already a firm cult classic. Originally written by Richard Berry in 1955, The Kingsmen put the track through the inner garage band grinder and created this walloping jive. As the ultimate stamp of grungy approval it would later be squished into submission by Iggy Pop.
Released: January 1968
Recorded just 6 weeks before his death and released posthumously, this track was Redding looking back at a life that had seen him move to San Francisco from Georgia to seek stardom. Its reflective mood was retrospectively haunting and the whistling solo was a happy accident - Redding meant to finish the lyrics before his fateful plane crash.
Released: December 1969
Released at the butt end of the 60s, Jagger and Richards captured the changing moods of the time, as race riots, Charles Manson and Vietnam had soured the hippie dream. A stabbing at their infamous Altamont gig added an extra dimension of bitter twang as the soulful crisis of the track signaled the end of an innocent era.
Released: October 1965
With a nod to the Mod counterculture and a feeling of youthful displacement, Pete Townshend penned this age-defying ditty, which encapsulated the angst of being a teenager. According to legend, Who manager Kit Lambert suggested that Roger Daltrey stuttered in order to sound “like a kid on speed.”
Released: January 1967
Stephen Stills’ famous protest song is not, as many mistakenly believe, an anti-war missive. Instead it was penned in reaction to the police shutting down various clubs on the Sunset Strip, enforcing strict curfews and inciting several riots. That it's been re-appropriated as a soundtrack to the chaos of Vietnam just proves the incendiary power of what is really quite a sedate track.
Released: August 1963
From the frantic tumble of toms and urgent harmonies of the ten second intro onwards this track doesn’t mess about. Two and a half minutes of world class pop later and it’s gone, but in your head forever. While any number of The Beatles’ early tracks could sit pretty in this list, ‘She Loves You’ has a taut, economic charm that wallops you upside the head and scarpers before you know what’s hit you.
Released: November 1968
It’s hard to believe that this perfect soul pop nugget was turned down by no less than Aretha herself, but following Dusty’s sultry take on the track she was quick to correct the error of her ways. It was too late, however, as Ms Springfield’s slinky horn-packed effort had already written itself into the history books. Nice bell work on the cymbals too.
Released: February 1969
It’s easy to underestimate the raw power and sheer importance of the Motor City Five, who let’s not forget were writing punk tracks seven years before the Pistols. Less breaking boundaries than headbutting them into submission, the MC5 exploded into a clueless ’69 with their debut album of the same name, and this nitrous calling card would stamp firm their legacy forever.
Released: August 1964
Trying to trace the roots of heavy metal? Many musicologists trace them to the red raw chords of this track, the ludicrously heavy third single from The Kinks and the one that sent them stratospheric. Just imagine how full on this sounded in the pop rock era of 1964. Its riff remains one of the all time greats to this day – just steer clear of the Van Halen version.