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Released: September 1978

One of Blondie’s finest, down to its nursery rhyme simplicity, skipping along on with giddy new wave swagger. Like most of ‘Parallel Lines’, its pure pop rush is addictive, so much so that it quite disguises the fact that Debbie Harry is actually behaving like a nightmare stalker. And one that it would be foolish to try and resist.


 
 
 
 
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