Moving away from the psych-fuelled haze of the 1960s, the 70s were where tribes were formed. The Sex Pistols and The Clash searing out of London's disaffected underground. Marc Bolan and David Bowie redefining androgyny and making music feel magical again. Blondie, The Ramones and the whole CBGBs scene providing the apex of all insouciant cool. Sure, The Osmonds and The Bay City Rollers may have been setting pre-pubescent girls' hearts on fire, but away from the pop pages, some of music's greatest icons were being born. Relive it all. Words: Dan Martin, Matthew Horton, Priya Elan, Tim Chester.

60Elvis Costello – 'Oliver’s Army'

Lyrically it couldn’t have been more timely. With political unrest in Ireland, Palestine and further field, Costello’s track about working class army proles exploited by the government seemed right on the money. Steve Nieve’s ABBA inspired keyboard work was the cherry on the top.

59Curtis Mayfield – 'Move On Up'

Free from The Impressions, Mayfield's solo debut ‘Curtis’ featured many shining moments - but ‘Move On Up’ was perhaps the finest. The uplifting horns and vocals were the heart of a track that empowered for a generation going hopefully and nervously into a brand new decade.

58The Modern Lovers – 'Roadrunner'

Written after multiple exposures to The Velvet Underground’s splatter-rock epic ‘Sister Ray’, Jonathan Richman’s laconic drawl perfectly reflected the arid, suburban boredom reflected in the track's lyrics and repetitive riff. A precursor to the slacker rock phenomenon almost 20 years later.

57Squeeze - 'Up The Junction'

Inspired by a TV play by Ken Loach, Chris Difford’s lyrics were brilliant street poetry, a kitchen sink drama that zipped along with soap opera like speed via bawdy colloquialisms. The grand keyboard line was just as important as the words in making this a new wave classic.

56The Velvet Underground - 'Rock & Roll'

Lou Reed could have been singing about himself when he said Ginny’s life was “saved by rock'n'roll.” The guitars and bass sound jangling and groovy, whilst the usually dour Reed sounds positively born again as he intones lines about radio hits making everything “alright” again. From ‘Heroin’ to this in four years? Wow.

55Junior Murvin – 'Police & Thieves'

Junior’s falsetto vocal and the gentle swish of the instrumental track (produced by Lee “Scratch” Perry) belied the lyrics which spoke of civil unrest and societal tension. Little wonder it was covered by The Clash on their debut album.

54Elton John – 'Tiny Dancer'

A beautiful lyric from Bernie Taupin about navigating love on the road with future wife Maxine Feibelman was met by an instrumental that caught John at his singer/songwriter peak, creating a soft rock gem that would resonate with generations to come.

53Thin Lizzy - 'The Boys Are Back In Town'

With lyrics tense with a Springsteen-ish drama and multiple hooks – the legendary riff, the fist-punching chorus, the twin guitar solo from Brian Robertson and Scott Gorham to the chorus - this track is rife with the smell of summer lawns and the memories of beach parties. No wonder the track was co-opted by Irish rugby teams, jeans companies and Bon Jovi.

52Queen – 'Bohemian Rhapsody'

In a career of classic rock moments, ‘Bohemian Rhapsody’ still stands out as Queen's campest and most outlandish. A piano chanson (complete with Brian May’s jaw dropping guitar solo) leaps gleefully into a full blown operatic parody, and the results are legendary.

51Iggy Pop - 'Lust For Life'

‘Lust For Life’ hums with skid row defiance, wrapped up with a seductive jangle pop bow. Little wonder it was later co-opted by Trainspotting - Bowie and Iggy reference heroin stalwart William Burroughs and dead dealers - but aside from the rattling hedonism of the track's percussive backbone, the song is as life-affirming as a gospel track.

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