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Released: March 2006

The second silver bullet (along with 'Boy From School') in the Putney electro-popsters' synapse-ruffling live set, 'Over And Over' is simply one of the biggest stone-cold bangers of all time. Play the understated jingly riff that opens the song at any gathering of more than two people and you've instantly got a party you'd skip your dog's funeral to attend – for at least those five minutes. The first single from...

 
 
 

Released: October 2007

'In Rainbows'' finest moment had actually been around for several years before its 2007 release. Although the early incarnation of the song bore scant resemblance to its finished state, the band apparently liked Jonny Greenwood's instrumental part so much that they decided to turn it into an entirely new track, but keep the same title. What 'Reckoner' does so effortlessly is show that Radiohead can still be...

 
 
 

Released: October 2000

Chart-melting US hip-hop anthems invariably feature bonnet-busting beats, shotgun sound effects and a general tone of bigging up oneself. But one of the biggest hip-hop anthems of the decade, from Andre 3000 and Big Boi, was a very different beast indeed. BB's Uzi-fire rapping cut against Dre's feline croon perfectly over shuffling beats and heart-string piano as the pair laid out one side of the story of a...

 
 
 

Released: April 2003

The track was written by Yeah Yeah Yeahs singer Karen O as a tribute to her then boyfriend Angus Andrew, a member of Liars. She later said that the title was a reference to them both always being on tour, therefore she always felt lonely and miserable when she looked at where they were in the world in relation to each other. The "They don't love you like I love you" hook in the chorus is so tender it could make a...

 
 
 

Released: March 2007

There are many puzzling things about this song, which was originally written for Britney Spears but rejected by her label. First, how is it that such a daft, stuttered lyric ("Umbrella-ella-ella") can sound so serious and epic? And second, how is Rihanna able to sing in such a cold and impassive voice, yet make the song sound so weirdly moving? The slick production makes it superficially an R&B track, but...

 
 
 

Released: July 2001

It’s not just that Yeah Yeah Yeahs managed to outsmart Radio 1’s profanity censors with ‘Bang’ and its downright rude lyrics: “As a fuck son, you sucked” and "The bigger the better”. Or that Karen O is a phenomenal frontwoman, or that Nick Zinner is a guitar maverick that makes them so great. It’s that this New York trio broke through the barrage of indie boy band pap with this single...

 
 
 

Released: March 2003

Jack and Meg White became proper bona fide megastars on the back of this song, propelled by arguably the finest riff of the decade by anyone. Its popularity was such that football fans the world over continue to adapt the refrain to make their own particular chant. High praise indeed. Named after what Jack called the Salvation Army as a child, the song is now recognised as a proper, grade A classic. Recorded in...

 
 
 

Released: February 2004

Sometimes a band unleash a song so staggeringly, elementally powerful, the rest of their career can only be a let-down. Like The Strokes gone evil, this clattering cut from the New York band's second album showcased the apoplectic vocals of Hamilton Leithauser, propelled by a relentless backbeat that owed much to krautrock. A maelstrom of finger-pointing rage ("You've got a nerve…"), this astonishing...

 
 
 

Released: May 2004

The song which took Mike Skinner to the summit of the UK singles chart was a surprisingly tender, blokeish lament to lost love, but it only really took off when the lyrics were amended to lament the England football team's exit from that year's Euro 2004. The track is the emotional high point of 2004's magnificent concept record 'A Grand Don't Come For Free', and will surely be the one most remember Skinner for.

 
 
 

Released: August 2004

The lead-off track from their second album showcased The Libertines' gift for combining high romance with scuffed, gutter-level realism. Hence we get the deft poetry of the first verse ("Your light fingers through the dark…") punctured by the viciousness of the second: "The world kicked back a lot fuckin' harder". Like all the best Libertines songs, this tale of an unravelling relationship can be...

 
 
 
 
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