You'll also find our 50 albums of the year here.
Plus, to read all-new reviews of the 50 best albums and tracks of the year, plus all the trends that defined the year, pick up the new issue of NME, on sale from Wednesday December 9.
Catchy, clever and riddled with angst even as it laughs heartily at itself, this is pop reappraised for the modern age. Oh, and also the line “It doesn’t matter, ’cos I’m packing plastic/And that’s what makes my life so fucking fantastic” is shamelessly laugh-out-loud brilliant.
19In For The Kill (Skream's Let's Get Ravey Remix)
Skream’s ‘Let’s Get Ravey’ remix transformed ‘In For The Kill’ from La Roux’s most accessible chart hit to the darkest remix to ever come from these shores. No surprise then that at Bestival, La Roux opted to cover his version rather than perform her own.
'Hyph Myngo' burst from its chrysalis of an intro and proceeded to bounce off walls and through floors like a butterfly the size of a wrecking ball. It bangs hard, basically - 'til death.
Initially it sounded like dull blog electro... then that little-boy-lost vocal kicked in. Then it went gospel-pop. Basically, it didn't know what the fuck it was doing, and we loved it.
The lyrics read like Romantic poetry, the synths sounded like score music to an '80s French melodrama - and Natasha Khan's voice could make a bollard shiver.
Ever the expectation-averters, Arctic Monkeys' first offering from 'Humbug' was worlds away from any fruit machines or tykes in balaclavas. It left us clinging on to the most fascinating transformation of the year.
14Sticks N' Stones
A song so runaway it only feels right listening to it while hurtling down a hill holding your arms out like an aeroplane.
'11th Dimension' oozed into our brains and then stuck fast. The standout Strokes solo effort by a mile.
Hands in the air, live highlight from Leicester's favourite 'outlaws'.
Alex’s poetry sliced straight to the heart of lovelorn obsession, while Jamie teased the sound of snapping heartstrings from his guitar.