A hymnal, insidious creep of vocals and strings building with unbearably precise tension before releasing with whiplash ferocity into a deranged maenad stomp, ‘Scissor’ was the dark “abandon all hope, ye who enter here” gateway into ‘Sisterworld’, Liars’ finest album yet. Its horrific tale of finding a dying woman in a car park, stripped to elemental detail and seething with fear and blood, was matched by the creepiness of the video, in which Angus Andrew finds himself adrift at sea and plagued by killer rocks...
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US band will play gigs in Bristol, Liverpool and London later this year
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The release will follow last year's 'WIXIW' LP
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