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New Order's Peter Hook opens FAC251 with an all-star gig

Mani, Howard Marks and Rowetta are all spotted at the new Manchester club

Peter Hook opened FAC251 last night (February 6) with his band The Light, and you can see fan footage of the show by scrolling down.

Showcasing New Order, Joy Division, Monaco and Freebass tracks, Hook was joined onstage by Primal Scream and former Stone Roses bassist Mani, Howard Marks, Gary Briggs, Rowetta and his son Jack for a 17-song set.

Opening with the first live airing of the Freebass songs 'Dark Starr' and 'You Don't Know', the newly refurbished former Factory Records office was crammed to the hilt, with seemingly all of Manchester coming out to sample a slice of its own musical history.

Overlooked by a portrait of the late Factory Records boss Tony Wilson, which hangs near the door, Hook's band The Light turned back the clock with a nod to some of the music that has helped put Manchester on the musical map.

Taking to the stage with a T-shirt with one of Tony Wilson's quotes on - "We made history, not money" - Hook controlled the stage with his trademark low-slung bass.

The supergroup played songs such as Monaco's 'What Do You Want From Me', New Order's 'Ceremony' and Joy Division's 'Transmission' and 'Interzone'.

Tickets for the show sold-out in less than 10 minutes.

"I was sat in the hotel room across the road before looking out of the window and it was mad," Hook told NME.COM "I was like 'Fucking hell, it's like 1988 and The Haçienda all over again'".

Closing with a storming rendition of Joy Division's 'Love Will Tear Us Apart', the group come back onstage for an encore of New Order's 1983 classic 'Blue Monday'.

The Light played:

'Dark Starr'
'You Don't Know...'
'Dreams Never End'
'Ceremony'
'Sister + Brother'
'Shine'
'What Do You Want From Me'
'Atmosphere'
'Insight'
'Shadowplay'
'Pictures'
'Interzone'
'Warsaw'
'Transmission'
'Sunrise'
'Love Will Tear Us Apart'
'Blue Monday'


Talking after the gig to NME.COM, Peter Hook gave his verdict on the show.

"It was brilliant and particularly great to get Freebass together and to do it with Howard [Marks] was really nice," Hook said "It showed the contrasting sides to Freebass, and that's what I'm most proud of tonight."

Also finding time to premiere the final Joy Division track 'Pictures', Hook gave his thoughts on playing the recently finished 1978 song.

"It went in an instant," he explained. "Because it's so punky, its on the cusp of Warsaw and Joy Division and it sort of showed that beautiful madness. Ian Curtis' lyrics gave it that depth, and the music just developed around his focus really and that's why I really liked it."

Now officially open as a club and live venue, The Whip will play FAC251 tonight (February 6), while White Lies and Twisted Wheel are among the bands set to grace the stage within the first month of it opening.

Fan footage of The Light's encore of 'Blue Monday' can be seen below:





 
 

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Comments (10)

bingowings 

Feb 8, 2010

Note to the person doing the filming:Try not to stand in a direct line with a fat bald bloke. And especially if it's one that sticks giant wads of cotton wool in his ears. It almost always detracts from any show's appeal.

frinfrin 

Feb 8, 2010

do you not understand what a massive embarrassment this is for manchester? peter hook ramming his ancient history down our neck and in the process ruining everything manchester has achieved in the past 20 years? no one cares about this rubbish except knucklehead morons and old men who refuse to let their youth die. the only good thing about this is that it'll mean all the most aggressive swaggering professional mancunians will be crowded together in one place, meaning the rest of the city will be able to progress properly. the depressing thing is that youth publications like the NME (not to mention supposed culutral writers for national publications who are either utterly lacking in imagination or openly hateful of anything manchester does that doesn't relate directly back to their youth - this means YOU paul lester from the guardian, you complete cretin) are all too keen to relate everything back to madchester, when seriously, no one worth their salt gives a flying f*ck about it anymore.

touchingfromadistance 

Feb 8, 2010

This sounds monumental. I haven't heard any Freebass yet, it seems kind of hard to find.Also, someone get us a video of "Pictures," or at least some audio. I wanna hear it.

Barrytheviking 

Feb 8, 2010

YAWN!!!! you need to get out more frinfrin! music in Manchester wouldn't be where it is today without Factory and the bands it signed. your feeble attempt to bad mouth "madchester" has failed.

Eattothebeat 

Feb 8, 2010

Brilliant, I love frinfrin's comments - what a turkey.This isn't 'ancient history', this is unquestionably what has defined Manchester's whole musical architecture for the last twenty years. Where does frinfrin put the cut off for 'ancient history?' Are we supposed to thus only listen to Liam's new band, as Oasis and Definately Maybe released in 1994 is now too old. Without Factory, Manchester's international profile as a city and cultural hub would add up to a lot less.Factory and the Madchester scene changed the whole of this city for the better. The evening was full of punters probably not even born when Joy Division first released Unknown Pleasures back in 79. I know cause I was there - So that blows your theory out about 'aggressive swaggering mancs' all collected in the same place at once.Sounds like you live south of the city in your Chorlton mung bean bubble and 'Manchester would be great if it wasn't full of Mancunians' is basically your bitter unspoken mantra. This is Manchester frinfrin- we do things differently here. If YOU don't like it f*ck off somewhere else like Leicester or Swindon.

frinfrin 

Feb 9, 2010

haha! the two recent posters miss my point completely, and hilariously. to spell it out in abc fisher price terms: i'm not dissing madchester, it was as good as any popular music scene, my point is that to bang on and on about it 20 years after the fact does no good for the city or ANYONE apart from old men reliving their youth and dimwitted kids who haven't got the brains/balls to engage with modern music - seriously though, there's nothing sadder than a teenager/20something who bangs on about the past being better than the present. shameful lickspittle dadrock lapdog. spineless. and as for eattothebeat, you justify everything i said - i can barely wade through your fat-tongued prose. i had to stop and have a massive lol when i came to "are we supposed to thus only listen to liam's new band" ha! it is kinda good that this place soaks up the flotsam, jetsam, faux-scally-fawning, fake-nostalgia-loving morons that have been ruining this city for the past 15 years. nice one son!

Eattothebeat 

Feb 9, 2010

Fraid I DIDNT miss your point frinfrin. you say it does "no good for the city" Manchester has the largest creative and musical sector outside of London employing 18,000 people in 4,000 business. The hub of this contributes £28b to the UK economy or 5.5% of the whole UK wealth. Music and tourism generates£1.5b alone for the City centre. The Music and tourism wealth contribution to Manchester's cultural wealth is DIRECTLY attributed to Madchester and twenty years ago - to what Wilson et al did. The city you live in today was shaped by these activities, the wealth coming into it today is IS directly RELATED to what happened. Read these facts from the City Cocuncil, Regional Development Agencies, CIDS or the DCMS - these are FACTS. This is the whole reason thousands of BBC jobs are arriving here - because of what went on twenty years ago to make this city what it now is.In musical terms - the past lives with the present and contributes to the future. There is room for it all. The best bands of today have their influences way back and not from their current peers. Otherwise music would really be shite.As for my,'fat tongued prose' you just stink of a man in defeat and someone quite bitter. |Have a happy life, I know I am.Ettb

ALWAYS THE WAY 

Feb 10, 2010

http://www.youtube.com/user/alwaystheway#p/u/11/3aXHEurh_OoA MUCH BETTER YOU TUBE VIDEO OF THE NIGHT WITH SEGMENTS OF SEVERAL JOY DIVISION AND NEW ORDER SONGS CAN BE SEEN ON YOU TUBE UNDER USER NAME ALWAYS THE WAY

frinfrin 

Feb 12, 2010

haha eatybeaty, couple of little tips for you: 1) looking up some dodgy and entirely unrelated stats on wikipedia doesn't make an argument. 2) putting the word 'DIRECTLY' in capital letters, when in actuality it's not 'directly' at all, doesn't make your point either. hate to break it you, but the whole city doesn't revolve around the inspiral carpets. and i'm afraid you're still missing my point - no one is dissing your precious past, what we're saying is the very last thing this city needs is turning into a monument to nostalgia (go look at liverpool), which is what pocket-lining parasite peter hook is doing with this venture. i can understand full well why you like it, it's easy to devote yourself to the past, it's safe there, whereas the future and the present are unknown, scary and exciting places and some people just aren't cut out for it. those people are the kind who go to BEZ'S MADCHESTER DANCEPARTY and backslap other helmet-haircutted morons all night long. and it has to be said: "This is Manchester- we do things differently here." o rly? it won't be long before your kind get that changed to "This is Manchester - we do things the same as we did 20 years ago because it's the easiest way to make a cheap buck".

frinfrin 

Feb 14, 2010

i guess this belongs here: please see fuc51.blogspot would be nice if the NME would check through this and acknowledge the level of disgust the majority of the creative types in the city have for hook and his tawdry cash-in. there's an enormous amount of anger at what he's doing and it's the duty of the NME to report this

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Pic: Steve Baker

Pic: Steve Baker

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