Two kings of the indie dancefloor unite for a warm, timeless take on 20th century pop and rock
Album review: The Maccabees
Wall Of Arms
By now you’re probably familiar with ‘No Kind Words’, given away as a free download and a genuine departure for the band, with Weeks’ dispassionate delivery about “Tempting disaster, testing water with another’s daughter” and Rupert Jarvis’ oscillating bassline lending a sense of gloom to proceedings. Suddenly there’s lovelorn cynicism where once there was doe-eyed optimism and songs about swimming pools, and this suits them a lot better.
I f nothing else quite matches ‘No Kind Words’, a lot comes close. ‘Colour It In’ was troubled by lack of cohesion; as Weeks himself has admitted, it felt like a collection of songs rather than an actual album, and a lot of them were merely pleasant diversions until the next single came along. That’s not the case with ‘Wall Of Arms’; from the anguished opener ‘Love You Better’ on, this feels more complete than its predecessor. There are subtle Arcade Fire influences (no doubt encouraged by ‘Neon Bible’ producer Markus Dravs) on the military march of ‘Can You Give It’ and the scratchy ‘Seventeen Hands’, while ‘One Hand Holding’ has a whimsical ’80s pop feel that’s underscored by more inner turmoil (“Why would you kill it before it dies?” demands Weeks). In fact, only when they revert to their puppyish former ways – like the title track, or the hatefully nice ‘Dinosaurs’ – is the spirit of Athlete terrifyingly summoned, like some over-amiable djinn from the ether.
That aside, ‘Wall Of Arms’ sounds mostly effortless and unstudied. No longer too pop to be art and too art to be pop, The Maccabees are evolving into their own entity. We can’t wait to see where it takes them.
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The Maccabees MySpace
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