This new film about Oasis’s glory years is rousing, heart-rending and really f**king funny
Since back in the day of Motown powerhouses like [B]Norman Whitfield[/B], through to modern day auteurs like [a]Babyface[/a] and [a]Missy Elliott[/a]/[B]Timbaland[/B], the ultimate power in soul music
went out with Paul Weller.
No, the guarantees of quality come from the behind-the-scenes names involved; Kedar Massenburg, who discovered Erykah Badu, executive produces. Missy Elliott herself writes and produces two tracks. Familiar, reliable names litter the credits. So then, 702 are only as good as their songs. Gooey sentimentalism kept to a bare minimum. Beats never straying the wrong side of 'funky'. Pretty damned good, then.
Delving into the murk and noise of their past, the Boston veterans’ second post-reunion album is a superlative indie rock collection
Two kings of the indie dancefloor unite for a warm, timeless take on 20th century pop and rock
This unruly second album delivers a sucker punch to anyone who had the Kent duo down as a novelty act
Justin Vernon’s third Bon Iver album is a weird and wonderful thing