With their bigger and better second album, London-based indie/dance band Boxed In have earned their breakout moment
Greatest Hits 1990-1999 A Tribute To A Work In Progress...
This time, they might well have lost it completely.
At the heart of this revisionist dream were the brothers Robinson, guitarist Rich and the band's mouthpiece, Chris. Moulded into shape by producer George Drakoulias (who also discovered them at the end of the '80s), their 1990 album 'Shake Your Money Maker' was a triumph of history over originality. The LP's most memorable moment might have been their robust cover of Otis Redding's 'Hard To Handle' - included here - but in general it was a tight reworking of the hairball boogie of bands like Lynyrd Skynyrd, The Allman Brothers and The Faces.
By the time of 'The Southern Harmony...', they'd refined this template into something vital and timeless. Of the four songs featured on this compilation, 'Remedy' and 'Thorn In My Pride' remain two of the great rock singles of the '90s, all tumbling melodies and wasted anguish. It was the last time that the band were so clear-eyed for at least another six years.
Their next two records - the awful 'Amorica' and the slightly better 'Three Snakes And One Charm' - might have contributed the odd gem ('Wiser Time' was among their best singles and is featured here), but made against a backdrop of bickering and drugged-out ennui, they were foggy approximations of what had gone before. Worse, by this stage they looked like any old bar band as well as sounding like one.
Although things had improved by the time of their last record, 'By Your Side' (check out the relatively lean 'Kickin' My Heart Around' and 'Go Faster', again included here), public interest had dipped to such an extent that no-one really noticed. They're currently attempting to relaunch themselves with Jimmy Page on board. This time, they might well have lost it completely.
Islamic mythology meets the horror of war in this claustrophobic, low-budget spine-tingler
California’s coolest lift their usual murk on a free-spirited, adventurous third album at odds with its ‘mature’ description
The New York new wave reprobates’ debut delivers instant gratification via boisterous choruses and loveable melodies
This Floridian trio’s peculiar take on pop music takes gloomy cues from Depeche Mode and The Smiths