Noisy riffs and delicate disco combine at Zig-Zag Rolling With… gig
London Astoria G.A.Y. Club
Great songs are all very well. But sometimes that just ain't enough...
'Black Coffee' and 'Pure Shores', both of which they perform tonight, are by far the strongest tracks from the William Orbit-saturated new album 'Saints & Sinners' - and album which flows over you so smoothly that sometimes you don't notice you're even listening to it. The same can be said of the girls' performance tonight: these girls are the anti-Halliwells, girls for straight boys, and sometimes you can't rest on being beautiful to carry a show through.
Gay boys - or, at least, G.A.Y. boys - want a show with bells on. They also require a bit of interaction with their divas. Shaznay, bless her, has lost her voice, but still she manages to engage her fans, handing down the mic to one of the crowd so that he can rap for her. She actually looks as though she acknowledges an audience is here - Nat, on the other hand, hides behind her wraparound glasses for the entire performance, whilst Appleton 2 and Blatt (she hasn't left, don't worry) slop around the stage in their usual sassy don't-give-a-shit style. But is it style at all, or laziness?
G.A.Y. gigs are not as other gigs. Booty shaking is compulsory, not optional. Being cool is all very well; great songs are all very well. But sometimes that just ain't enough. Perhaps a few lessons in audience awareness might do the trick.
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