A multi-award-winning experience of what it’s like to live in constant fear, from rookie Hungarian director László Nemes
Deathcab For Cutie : We Laugh Indoors
Sure beats felling pinewood for a living
Camden Underworld and start a scrum ten deep of Deathcab for Cuties: youngish, reedy-voiced indie men too bookish for grunge but too gnarly to duet with Kirsty MacColl, ah, Sub Pop used to grow them in illegal emo farms in the basement.
These days, though, DFC are a rarer breed and a fine vintage; songs about absentee fathers, Coney Island rollercoasters at midnight and this, a bizarrely endearing concoction of the drumming off Bruce Springsteen’s ‘Dancing In The Dark’, Red House Painter guitar twongles and a chorus that goes "I love you Guenivere" like Sir Galahad is suddenly singing with Superchunk. Sure beats felling pinewood for a living.
A disappointingly shallow dig into the soul of a man who should be on the edge, but isn’t
The A$AP Mob member’s second album is personal and poppy, and features a guest spot from his mum
LA/Vancouver trio White Lung soften the edges of their hardcore sound on their gripping fourth album
An over-sugared combo of Katy and big names in grime, techno, hip-hop and d’n’b