Matt Damon returns to his defining role in this passable reboot of the Bourne franchise
Ladytron : Seventeen
could well be the 21st Century Ladytron[/a]’s favourite band, their last album ‘604’ did as much to spearhead electroclash as his ‘Kittens And Thee Glitz’. But Ladytron
are too special just to slot into a movement.
‘Seventeen’ shows a band in total command of its voice; a moody, romantic synth pulse that makes you want to dress up, go out and have nocturnal adventures.
It’s a term debased, traduced and abused, but Ladytron
are perfect pop.
The long-running franchise's latest instalment "might be the summer's most satisfying blockbuster"
With Skepta and Stormzy dragging hard lyricism into the mainstream, Flowdan’s blunt rap suddenly feels on trend
The Canadian band bring little to the table with their second album of meat-and-potatoes tunes
Please, let this fifth Ice Age film be the last