**PIC Blur-endorsed Icelandic duo move from techno to post-punk on an itchy claustrophobic debut
Since back in the day of Motown powerhouses like [B]Norman Whitfield[/B], through to modern day auteurs like [a]Babyface[/a] and [a]Missy Elliott[/a]/[B]Timbaland[/B], the ultimate power in soul music
went out with Paul Weller.
No, the guarantees of quality come from the behind-the-scenes names involved; Kedar Massenburg, who discovered Erykah Badu, executive produces. Missy Elliott herself writes and produces two tracks. Familiar, reliable names litter the credits. So then, 702 are only as good as their songs. Gooey sentimentalism kept to a bare minimum. Beats never straying the wrong side of 'funky'. Pretty damned good, then.
The Californian garage king's T Rex covers album shows his melodic muscle
Johnny Depp plays a monstrous Boston gangster in a disguise so unsettling you’ll struggle to recognise him
An EP dedicated to victims of the Paris attacks shows the Foos are on defiant form
The Radiohead guitarist explores traditional Indian music, with mostly impressive results