The long-running franchise's latest instalment "might be the summer's most satisfying blockbuster"
Hidden Cameras : Toronto Bloor Street United Church
...they shall conquer all, one balaclava 'n' jockstrap wearing male go-go dancer at a time...
As the core quartet (guitar, bass, drums, vocals) begins playing on the church altar, a horde of scantily-clad devotees congregate in the aisles, ingeniously adapting pews into dancing podiums. The Bloor Street acoustics intitially do them few favours, though: Gibb is barely audible during 'Heavy Flow of Evil' and 'A Miracle'. "Thank you for being quiet," he says. "Now you can be loud, progressively loud". A cast of choirists, guitarists and gyrating mavericks take their places and from that moment The Hidden Cameras' sheer energy is unassailable.
Building loveable melodies on top of each other until they threaten to topple over, 'Even' resembles Belle and Sebastian if they smiled more, while the audience is encouraged to sing along with uranist anthems 'Golden Streams' and 'Ban Marriage' by the projection of their lyrics on a curtain at the back.
The Hidden Cameras won tonight. And they shall conquer all, one balaclava 'n' jockstrap wearing male go-go dancer at a time.
With Skepta and Stormzy dragging hard lyricism into the mainstream, Flowdan’s blunt rap suddenly feels on trend
The Canadian band bring little to the table with their second album of meat-and-potatoes tunes
Please, let this fifth Ice Age film be the last
Spielberg’s take on the beloved Roald Dahl novel is restrained, nostalgic and sweetly sentimental