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Stereophonics: 'Pull The Pin'

'A band who are hard to like but impossible to ignore'

You used to know where you were with Stereophonics. They would offer up a few mid-tempo plodders that painted two-dimensional pictures of life in dead end towns, and journalist-loathing frontman Kelly Jones would strain his vocals dreaming he was Rod Stewart in the Faces. All this would be done with such earnestness that we could hate them all day long. Then, a bizarre thing happened. In 2005, they released ‘Dakota’ – a really good, no-nonsense single – and an album of some merit. And they’ve only gone and done it again. ‘Pull The Pin’ has urgency, a sense of menace and though it deals with issues like war (‘Soldiers Make Good Targets’) and the London bombings, there’s little of the sanctimonious rhetoric Stereophonics of old were guilty of spouting. It’s an unapologetic rock’n’roll record by a band who are hard to like but impossible to ignore.

Paul McNamee

7 out of 10

Comments (2)

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jazz maverick 

Nov 26, 2007

I can't believe what i've just read. How dare you label the first 3 phonics albums as sanctimonious and rhetoric. Not all music is about the message. Not 3 pages ago i read a review giving the new girls aloud album a rating of 7 and yet "Word gets around", an album with some truly great hooks, melodys and some of the most jump up and down songs of the last decade gets slated out of hand. THIS COUNTRY...

DillysDaSheep 

Feb 7, 2008

Performance and Cocktails is one of the most awesome albums ever made, and pull the pin is nowhere near as good.

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