Not bad, until they pulled out their Coldplay-ish big guns
There’s currently a sizeable groundswell of young British bands like Zulu Winter: ensembles proffering modern and ‘cool’ musical motifs while, ultimately, being too earnest and populist for actual bleedin’-edge cool. A few strokes of fortune might send this London quintet – or, say, Clock Opera or Fixers – towards stratospheric hugeness. You can imagine a future where debut album ‘Language’, with its nods to Echo And The Bunnymen gloom, gauzy electro-indie keyboard swirls and booming ’80s drums, went down as Zulu Winter’s mildly quirky preamble before they pulled out their Coldplay-ish big guns. And where defensive fans quacked on about “preferring the earlier stuff”.