With their bigger and better second album, London-based indie/dance band Boxed In have earned their breakout moment
Excavation time in the us underground. And to San Francisco on this occasion ...
'For All The Beautiful People' (sarcasm by Americans. Good) is the mild-mannered trio's fifth album and, like its predecessors, it ploughs an engaging furrow through drowsy, largely acoustic mild psychedelia.
This time, though, the songwriting core of guitarist and vocalist David Freel and bassist Monte Vallier have fleshed out their slo-fi rumblings with sparks of keyboard trickery and, intriguingly on 'Make Up Your Mind', recorded some cows sheltering from a thunderstorm. For these unfazeable souls at least, this almost constitutes a radical new direction.
Fortunately, Swell's tremulous mastery of loose, narcotic pop overshadows these experimental ventures. Through the course of the album we are dragged through Freel's consistently nonplussed psyche - girlfriends are, he growls, "something to do" - and it's a strange, compelling trip. Disillusioned rather than bitter, Freel is the eternal pessimist - it just so happens that Swell's records get better as he becomes more jaded. And, as Elliott Smith's battered guitar and bleeding heart missives have shown, everyone loves life's losers.
Dig deep, then. You won't be disappointed. Leave that part to Swell.
Islamic mythology meets the horror of war in this claustrophobic, low-budget spine-tingler
California’s coolest lift their usual murk on a free-spirited, adventurous third album at odds with its ‘mature’ description
The New York new wave reprobates’ debut delivers instant gratification via boisterous choruses and loveable melodies
This Floridian trio’s peculiar take on pop music takes gloomy cues from Depeche Mode and The Smiths