The Californian garage king's T Rex covers album shows his melodic muscle
Band Of Skulls - 'Sweet Sour'
Proficient, precision-executed blues-rock with few genuine surprises
Yet inevitably, for all that’s impressive about their second album, it’s much like going on Nemesis at Alton Towers for the 100th time – you already know its every thrilling twist and turn. Just hear the way the crunching QOTSA riffs of ‘Bruises’ segue into the pared-down torch-song rock of ‘Wanderluster’, the type of pace change that’s been heard on every blues-rock album this side of the genre’s early ’00s purple patch. Or check out the age-old loud-quiet dynamic deployed on the title track.
Even a cursory glance at the song titles – from ‘The Devil Takes Care Of His Own’ to ‘You’re Not Pretty But You Got It Goin’ On’ – is like digging into blues-rock’s most ancient scrolls. Only on the latter of these tracks do Band Of Skulls truly hit their musical stride, going for folksy subtlety over bombast, allowing co-vocalist Emma Richardson’s coos truly to take centrestage away from the album’s heavier moments.
Ultimately, from start to finish, you know what you’ve ordered: proficient, precision-executed blues-rock with few genuine surprises. Which, while hardly a ringing endorsement, has worked to spectacular effect for The Black Keys over the past decade. See you down the front at Ally Pally in 2020, then.
Johnny Depp plays a monstrous Boston gangster in a disguise so unsettling you’ll struggle to recognise him
An EP dedicated to victims of the Paris attacks shows the Foos are on defiant form
The Radiohead guitarist explores traditional Indian music, with mostly impressive results
This London producer has worked with Madonna and is releasing his excellent debut as a sex toy