Ben Stiller reprises his role as a former model in a throwaway but amusing sequel
Black Kids, Esser, Passion Pit
They survived the blog buzz and have turned into quite the impressive pop band. Koko, London, February 18
Esser, meanwhile, is fast marking out his territory as the disco Jamie T, or, at the very least, The Specials blasted 40 years into the future and reimaged as a cheeky chappie with oddly lovable locks. Skanking his way across the stage, his Essex rudeboy swagger might not be menacing, but it’s certainly likely to put an idiot grin on your face. The sample-heavy opening to ‘I Love You’ leads straight into a soppy street-soul banger that’s topped only by ‘Stop Dancing’’s ‘Weak Become Heroes’ brand of woozy 3am lushness. A fidgety ‘Headlock’ is the icing on an already delicious cake.
Tomorrow Black Kids – alongside Esser – may be heading out to support the Kaiser Chiefs on their trawl of UK arenas, but tonight they get to top the bill and bask in the blazing limelight they’ve deservedly bagged. Over the past year their live show has morphed from a slightly rough-around-the-edges house party set into a slick, meaty beast and a fully fledged, neon-blazing rock’n’roll show. Ali and Dawn add the perfect ’60s girl group sizzle with their shouted “sha-la”s, “shimmy-shimmy”s and “woah-oh”s, whacking their keyboards, happy-clapping and cheerleading the crowd into a state of transcendental lunacy on ‘Look At Me (When I Rock Wichoo)’ and ‘I’m Not Gonna Teach…’. While Reggie’s own fancy footwork sees him giddily spinning out across the stage, his resolute vocals on ‘Love Me Already’ are surely a sign Black Kids are well on their way to becoming grown-ups.
It’s not quite the superhero film revolution we were promised, but it sure as hell is entertaining
Zachary Cole Smith has overcome a multitude of problems to make this intensely powerful album
The 'Oscar-bait' drama fails to fully translate the emotional weight from page to screen
Ralph Fiennes shines in this scorching and deceptive drama