A deliberately frothy take on an under-documented moment in US politics
Live review: Blood Red Shoes
Electric Circus, Edinburgh Monday, March 8
It’s not often you see a band who excel in energised grunge-rock soundtrack a ’30s musical. Yet tonight as the duo blitz through tracks from the excellent new album ‘Fire Like This’ and the good stuff from the debut, The Wizard Of Oz plays on a massive screen behind them. It’s a rather unsettling concoction of sound and vision: when the band play the yell-some ‘Light It Up’ the scarecrow gets torn limb from limb by flying monkeys. Luckily the songs are good enough to distract from the horrors on screen. ‘It’s Getting Boring By The Sea’ is larger than before, with Laura-Mary Carter’s guitar sounding like a force-10 gale directed straight at the cranium, while ‘I Wish I Was Someone Better’ thunders from head to toe. Of the newbies, ‘Count Me Out’ is like a petulant child demanding attention over the noise of a broken washing machine, and ‘When We Wake’ melts the heart like a suppository – it’s not romantic, it’s raw. Towards the end a fan shags one of the monitors during new single ‘Don’t Ask’. Nobody bats an eyelid. This is what BRS do to normal people: stimulate them to shove their dick into a highly dangerous electric object for pure thrills. Bestially brilliant.
The second album from Piper and Skylar Kaplan is danceable, euphoric and pleasingly trippy
Mumford & Sons’ collaborative steps into world music aren’t embarrassing – but they’re not essential either
The iconic DJ Shadow returns with a mixtape-like album that frustrates as much as it fascinates
A Western that revolves around a trio of gun-wielding female leads, and has a clear and consistent feminist message