**PIC Blur-endorsed Icelandic duo move from techno to post-punk on an itchy claustrophobic debut
Death Cab For Cutie : The Photo Album
Excellent guitar-packed debut...
is no longer a pejorative term. Fiercely independent (they wouldn’t even sign
to ultra-hip label Jade Tree), and writers of intelligent, heartfelt lyrics,
you could even call them emo without fear of misclassification. Or you
could, if ‘The Photo Album’ wasn’t more punk in attitude than application.
So while guitars scribble wildly over ‘I Was A Kaleidoscope’ and ‘Blacking
Out The Friction’, they mainly favour a subtler approach that’s equal parts
Slint, early Mercury Rev, and prime REM.
The result is a slow-burning lo-fi tunefulness topped off with Ben Gibbard’s
extraordinary lyrics. Matching endearing scratchiness with detail-packed
tales more commonly found in short story collections, the pick of them -
‘Styrofoam Plates’ - tells a Raymond Carver-style story of the funeral of an
absent father who was more "a donor of seeds to a poor single mother" than a
As intelligent, bittersweet, angular stuff, whether it’s alt.rock,
guitar-pop, or even emo is immaterial. Labels be damned - just call it great
The Californian garage king's T Rex covers album shows his melodic muscle
Johnny Depp plays a monstrous Boston gangster in a disguise so unsettling you’ll struggle to recognise him
An EP dedicated to victims of the Paris attacks shows the Foos are on defiant form
The Radiohead guitarist explores traditional Indian music, with mostly impressive results