**PIC Blur-endorsed Icelandic duo move from techno to post-punk on an itchy claustrophobic debut
Pitchfork Paris Festival, Paris, November 3
Today they look like they’ve come straight from the airport. Stefan ‘MC Ride’ Burnett and drummer Zach Hill stroll onstage, put down their bags and zip down their black jackets. Ride presses play on the computer and starts to stretch. Hill squats behind his kit and hammers a few bars. The crowd look worried. That’s because Death Grips’ music has a physical effect on your body. They grab you in the gut with churning gutter-synths, and the offbeat drums hurt parts of the brain you never knew existed.
‘Get Got’ has the crowd whooping, barely audible over the angry cracking of the kit. ‘Guillotine’ (appropriate for France) suddenly feels like a mild tickle rather than its usual invasive hammering. Burnett’s scream of “Guilloooooootiiiiine” disappears in the thick soupy fug of samples. But it’s not until ‘I’ve Seen Footage’ that people finally lose their shit (not literally, although who knows what this sound does to some people’s bowels). Ride flexes some more, drops to his knees, springs up and heads to the precipice of the stage. Is he going to jump? No. He just stares into the huge gap between the big stage and the pit. The red smoke grows thicker. They finish with ear-splitting noise. They don’t say anything about the controversy. They don’t pull another stunt. They say their only words of the set, a booming “THANK YOU”.
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