November 25, 1999
Every Day Is A New Day
The key to understanding [a]Diana Ross[/a] is that she's always thought of sophistication as a right....
6 / 10
The key to understanding Diana Ross is that she's always thought of sophistication as a right. Ever since the heyday of The Supremes, the humble woman from a Chicago housing project has been the epitome of a power diva. What she lacks in true southern soul grit, she makes up for in a fragile pop voice whose timbre hides a ruthless, ambitious and granite-hard person.
So 1999 finds La Ross lovelorn and heartbroken; and while 'Every Day...' is decidedly adult, there are subtle nods in the production and ornate backings to techno and modern-day R&B. Bar the handbag house remix of 'Not Over You Yet', she favours a more populist abstraction of US black radio bedroom music. Even the quasi-Africanisms of the gospelly 'He Lives In You' make sense within the glossy parameters of the studio.
Late 30-something suits will take solace from Ms Ross' tales of jet-set relationship traumas. And those looking for the angry spite of her recent high-profile tribulations will have to search elsewhere. Miss Ross keeps the knives and highly manicured claws well hidden.
NEW! For the latest music videos and backstage interviews, check out our brand new sister site, NME Video.








Comments do not always reflect the views of NME, or IPC Media, for guidelines visit our Ts & Cs page