An unsettling look at the sleep paralysis phenonemon
Album Review: Drake - 'Thank Me Later' (Young Money/Island)
If your name’s not hip-hop, you’re not getting in… What’s that? You’re mates with Jay-Z? Oh, OK then…
What it also proves is that the big-budget hip-hop community needs to expand its talent pool somewhat, because it’s the same old faces that are starting to show up everywhere. ‘Thank Me Later’ includes a huge cluster of the same people who guested on ‘The Blueprint 3’, for example. Indeed, just as Drake popped up on Jay-Z’s album, so the favour is returned on here, and you can add Kanye West, Alicia Keys, Young Jeezy, No ID, Timbaland and Swizz Beatz to the list too. Drake’s effort also includes other heavy-hitters, like Lil Wayne and TI – it becomes more a case of who DOESN’T show up for a guest appearance at some juncture. It sounds less like one man’s album, more a social gathering of very rich people over beats, and when you’re throwing so many marquee names into the mix, it suggests a real lack of faith in one’s own material, a case of ‘never mind the quality, just look at all my famous mates’.
And Drake doesn’t actually really need them – he’s at his best when he goes it alone. The mournful ‘Karaoke’ and ‘The Resistance’ reveal that, in addition to having a warm, assured flow, Drake also has a nice line in gentle, soulful vocals.
Of the collaborations, the hook-ups with Young Jeezy and the jarring, minimalist ‘Miss Me’ with Lil Wayne are the most profitable, the faintly aimless ‘Fireworks’, on which Alicia Keys thankfully refrains from utilising her vocal foghorning, less so. The Jay-Z guest spot, ‘Light Up’, is a bit all over the shop, and to be honest sounds like it was arranged in about five minutes.
What’s striking about ‘Thank Me Later’ is the downbeat, sober vibe of it all and the lack of an obvious nightclub banger – the beats generally complement Drake’s laid-back, meandering rhymes and often the whole thing comes perilously close to – whisper it – trip-hop. But it’s those constant and predictable superstar interjections that prevent the album from standing out as much as it had potential to do. So come on then, modern hip-hoppers – can’t we all try to not get along?
What do you think of the album? Let us know by posting a comment below.
Click here to get your copy of Drake's 'Thank Me Later' from the Rough Trade shop
Joseph Gordon-Levitt walks a tightrope between New York’s Twin Towers, but this vertigo-inducing movie doesn’t always hit the heights
North London lads revive the ravey hedonism of The Streets and Happy Mondays on a reflective and rowdy debut
Ear-bleeding psychedelia, math-pop and a Libertine descend on east London
Masterminded by frontman Bradford Cox, the freaky Atlanta band’s seventh album is bruised and brilliant