Jamie T’s second album in two years is a punk, rap, pop and hardcore tour de force
London WC2 Astoria
Twenty years of scrap metal.
"Now you must call for songs that are 20 years old," instructs Blixa Bargeld, with lofty Germanic charm, "So I can go..." He smiles, holds the nozzle of some crazy suction machine up to the microphone, unleashes a noise like a wolverine in a wind tunnel. Thing is, that's exactly what we wanted to hear.
In a world where people treat music like it's a small town that welcomes careful drivers, tonight's show is a testimony to the pleasures of chance, invention, sheer avant-garde lunacy. If they're looking good on it - the black-suited Blixa could join Suede if they replaced Neil Codling with some sheet metal - they're sounding even better.
They emerge among the jagged hardware to open with 'Silence Is Sexy', basement cabaret replete with hilariously epic pauses and Blixa archness, gradually moving from the splendid rhythmic doom of 'Die Interimsliebenden' and 'Der Schacht Von Babel' into the white-light thrills and drills of 'Headcleaner'.
Old dogs, old tricks - but still there's a thousand magic lessons in those moves. Many happy returns.
Character studies and ready melodies abound in the latest record by the Oxford quartet
A battle-like record where fear and dread rule
Another gripping Pedro Almodóvar mystery, full of vibrant visuals and emotional revelations
The Californian succeeds, once again, in exposing the ugliness of mankind. It’ll get under your skin