Wild Beasts’ fifth album is a Tinder-tastic display of carnal desire
…and the best non-NME Awards show at Porchester Hall, London (February 12)
Garvey is, quite simply, one of the greatest, most consistent songwriters this fair isle’s ever produced – and tonight’s set is one deceptively dark indie-pop starburst after another. In among the immaculate classics – ‘Switching Off’, ‘Red’, ‘Newborn’ – it’s the new songs from forthcoming fourth LP ‘The Seldom Seen Kid’ that impress the most. ‘Grounds For Divorce’ is a hulking, gargantuan rock departure, while the shimmering, swooping orchestral-tinged ‘One Day Like This’ sees Garvey lead the crowd through a gospel-style singalong that belies the fact it’s the first time it’s been played live. It’s the chuggingly euphoric ‘The Loneliness Of
A Tower Crane Driver’ that truly makes the case for ‘…Kid’ being Elbow’s career best, however – sounding like the monster in Cloverfield having a moment of clarity and bursting into tears after realising how much devastation it’s caused.
In truth, tonight there’s nothing new or classier about Elbow – they still look like portly, drunken binmen. No, there’s just a set of spellbinding songs that keep them stratospheres above the majority of modern British rock groups.
Viola Beach’s name will always be synonymous with tragedy, but at least now we have a document of who this band were
It’s essentially just a slick remix of Finding Nemo, but Finding Dory’s emotional moments will definitely hook you in
Ethan Hawke toots the horn for Chet Baker in this not-quite-a-biopic that takes jazzy liberties with the truth
Gucci Mane’s first album since leaving prison is a riot of big-hitting confessionals, plus Kanye and Drake guest spots