Wild Beasts’ fifth album is a Tinder-tastic display of carnal desire
That said, this is a tune that comes bound in a guitar riff that sounds like a stuttering velociraptor, while the metaphorical allusion to a crumbling family unit as sinking steamboat certainly beats having the same jeans on for four days as intriguing subject matter. It might lack the visceral punch of their live show, yet like that experience, it’s the input of singer Frank Carter that makes Gallows such an exciting, vital – nay, special – band.
“The SS Death lost everything/And no-one here can fucking swim,” cries Carter, and it’s this sincere vulnerability and sensitivity (Eh? – Morrissey Ed), aligned with their topless swaggering, sexually poised hardcore machismo – and aided by the
nous that, like Oasis with prison tattoos, they blatantly think they’re the mutt’s nuts – that makes Gallows the only band this writer gives a shit about right now. If you see them live anytime soon you’ll understand why in an instant. If you give this a spin now, you’ll understand a mere nanosecond after that.
Viola Beach’s name will always be synonymous with tragedy, but at least now we have a document of who this band were
It’s essentially just a slick remix of Finding Nemo, but Finding Dory’s emotional moments will definitely hook you in
Ethan Hawke toots the horn for Chet Baker in this not-quite-a-biopic that takes jazzy liberties with the truth
Gucci Mane’s first album since leaving prison is a riot of big-hitting confessionals, plus Kanye and Drake guest spots