Ben Stiller reprises his role as a former model in a throwaway but amusing sequel
Rescate 137 / Muddlin Gear
They both release solo albums within one week of each other.
On the other hand, Jamie Lidell's 'Muddlin Gear' is an album - and we use that term generously - that languished in a box in the Spymania office for several years before Warp offered to release it, envisaging Lidell, rightly, as a long-term investment. After one listen, your tolerance of pointless avant-electronica, pretty sturdy up till now, collapses to its knees sobbing, as Lidell skeedaddleedoowaps aimlessly through a lot of very bad fuzzy freestyle noodling that single-handedly makes The Fast Show's Jazz Club sketches seem like the apex of man's musical endeavour. 2/10
Play both these records together and you've probably got the great lost Super_Collider album. If you're only going to play one, however, best make it Vogel's.
It’s not quite the superhero film revolution we were promised, but it sure as hell is entertaining
Zachary Cole Smith has overcome a multitude of problems to make this intensely powerful album
Just as ridiculous as the 1991 original, but in all the wrong ways
The 'Oscar-bait' drama fails to fully translate the emotional weight from page to screen