Viola Beach’s name will always be synonymous with tragedy, but at least now we have a document of who this band were
Rescate 137 / Muddlin Gear
They both release solo albums within one week of each other.
On the other hand, Jamie Lidell's 'Muddlin Gear' is an album - and we use that term generously - that languished in a box in the Spymania office for several years before Warp offered to release it, envisaging Lidell, rightly, as a long-term investment. After one listen, your tolerance of pointless avant-electronica, pretty sturdy up till now, collapses to its knees sobbing, as Lidell skeedaddleedoowaps aimlessly through a lot of very bad fuzzy freestyle noodling that single-handedly makes The Fast Show's Jazz Club sketches seem like the apex of man's musical endeavour. 2/10
Play both these records together and you've probably got the great lost Super_Collider album. If you're only going to play one, however, best make it Vogel's.
It’s essentially just a slick remix of Finding Nemo, but Finding Dory’s emotional moments will definitely hook you in
Ethan Hawke toots the horn for Chet Baker in this not-quite-a-biopic that takes jazzy liberties with the truth
Gucci Mane’s first album since leaving prison is a riot of big-hitting confessionals, plus Kanye and Drake guest spots
A heroic blend of radio-friendly guitar pop and bristling disco from the Stockport five-piece named after a pub