Jamie T’s second album in two years is a punk, rap, pop and hardcore tour de force
Excavation time in the us underground. And to San Francisco on this occasion ...
'For All The Beautiful People' (sarcasm by Americans. Good) is the mild-mannered trio's fifth album and, like its predecessors, it ploughs an engaging furrow through drowsy, largely acoustic mild psychedelia.
This time, though, the songwriting core of guitarist and vocalist David Freel and bassist Monte Vallier have fleshed out their slo-fi rumblings with sparks of keyboard trickery and, intriguingly on 'Make Up Your Mind', recorded some cows sheltering from a thunderstorm. For these unfazeable souls at least, this almost constitutes a radical new direction.
Fortunately, Swell's tremulous mastery of loose, narcotic pop overshadows these experimental ventures. Through the course of the album we are dragged through Freel's consistently nonplussed psyche - girlfriends are, he growls, "something to do" - and it's a strange, compelling trip. Disillusioned rather than bitter, Freel is the eternal pessimist - it just so happens that Swell's records get better as he becomes more jaded. And, as Elliott Smith's battered guitar and bleeding heart missives have shown, everyone loves life's losers.
Dig deep, then. You won't be disappointed. Leave that part to Swell.
Character studies and ready melodies abound in the latest record by the Oxford quartet
A battle-like record where fear and dread rule
Another gripping Pedro Almodóvar mystery, full of vibrant visuals and emotional revelations
The Californian succeeds, once again, in exposing the ugliness of mankind. It’ll get under your skin