North London lads revive the ravey hedonism of The Streets and Happy Mondays on a reflective and rowdy debut
Latter Days: The Best Of Led Zeppelin. Volume Two
While the material on this record doesn't match up to [B]'Volume One'[/B], it's still an essential purchase for anyone who can't be bothered to get their patchy later albums...
But from 1973's 'Houses Of The Holy' onwards their kingdom began to crumble amid a horrible mess of witchcraft, heroin, family tragedies and coke-fuelled egotism. This record documents their work over that time, but far from sounding wasted and overwrought, it contains some of their finest moments.
Arguably Led Zep's most enduring tune, 'Kashmir' is the sound of a million elephants marching on Trafalgar Square, a song that's still not been topped in terms of majesty. Not even Puff Daddy's platinum production skills on his 1998 version ('Come With Me') could outweigh the power of the original. 'The Song Remains The Same' is almost the best song The Who never wrote, while 'No Quarter''s sleazy atmospherics set a blueprint for bluesy sleaze rock outfits the world over.
While the material on this record doesn't match up to 'Volume One', it's still an essential purchase for anyone who can't be bothered to get their patchy later albums.
Ear-bleeding psychedelia, math-pop and a Libertine descend on east London
Masterminded by frontman Bradford Cox, the freaky Atlanta band’s seventh album is bruised and brilliant
Emily Blunt stars in a tightly wound and constantly surprising thriller
The ex-Smith proves his greatness on a spiky live album