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Evidently exhausted by the propulsive rudery of 'Hot In Herre', Nelly kicks back, exchanging fragrant billets-doux on 'Dilemma' with Kelly out of Destiny's Child. "Nelly, I love you" she coos blandly, but Nelly's stricken with an unlikely bout of moral brow-furrowing. Should he contain his urges? – she has, after all, got a boyfriend already. Should he do a bit of non-committal grunting and then try to change the subject by going on about the East Coast and the West Coast for no reason whatsoever? Or should he stop being distracted by treacle like this and go back to making bum-shaking bangers that are all identically ace? Can you deduce the NME preference, readers?

John Mulvey

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