Detroit punks hone their ample strengths on a third album that's pure rock 'n' roll
Nine Inch Nails: Year Zero
Trent Reznor thinks we’re all doomed, shame his album won’t save us
This is where industrogoth archduke Trent Reznor reckons we’ll be in 16 years without a total u-turn in our geo-political approach to everything. In the absence of that, he’s made another Nine Inch Nails record. Oh well, it’s a start. Less an album than the culmination of a complicated game of cat and mouse played out over the internet between Reznor and his fans (with NIN creating fake websites and leaving clues as to the album’s dark vision over the course of several months), ‘Year Zero’ is, in Reznor’s words, “the soundtrack to a movie that doesn’t exist”. It brings together the voices of different characters from this fictional dystopia, as the world approaches its final end-game. Trouble is, they all sound like ambient-period Nine Inch Nails songs from ‘The Fragile’, and this means lots of silver and grey ambience, but not many tunes. OK, there’s about three: ‘Survivalism’, ‘Capital G’ and ‘God Given’. But what’s strange is that the brilliantly visceral live band that Reznor assembled to tour last collection ‘With Teeth’ are barely used here. There’s sod all guitar on this record. Apparently, part two of the saga, due next year, is full of hoary rock songs, but this is just one long squelchy fart of a soundscape that Reznor himself admits is probably too long. It’s certainly too unremitting. Ah well; there won’t be much need for choruses when the first bomb hits.
They’re still sombre, but the Manchester pop duo flirt with optimism on a fist-pumping third album
The Coventry trio's fourth album is sometimes ham-fisted, but always heartfelt
New releases from The Ordinary Boys, Demob Happy and more...
An ADD sonic patchwork informs the Sheffield group's best album to date