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Reviews
Venbee live at SXSW: a high-energy drum ‘n’ bass phenomenon
With her viral tracks 'Low Down' and 'Messy In Heaven' in tow, the Kent-born singer and producer proves her staying power
‘Shazam! Fury Of The Gods’ review: a body-swapping superhero sequel with no soul
Director David F. Sandberg unwisely abandons his clever set-up from the first film
Self Esteem live in Oxford: joy and collective catharsis from an alt-pop hero
Rebecca Lucy Taylor's latest stop on her ‘I Tour This All The Time’ run provides an affirming moment of liberation for her adoring audience
Unknown Mortal Orchestra – ‘V’ review: palm trees, pools and pain
The latest stage of Ruban Nielson’s psychedelic experiment explores love, loss and his Hawaiian heritage
The Rills – ‘After Taste’ EP review: energetic indie anthems and poetic vulnerability
Small-town life becomes all the more epic on this promising four-track offering from the midlands trio
100 gecs – ‘10,000 gecs’ review: an intoxicating hurricane of manic nostalgia
The hyperpop trailblazers take sharp left-turns into pop-punk and nu-metal (and dig further down the ska well) on this whiplash-inducing jamboree
M83 – ‘Fantasy’ review: reluctant hitmaker retreats into cult shoegaze
Anthony Gonzalez’s ninth album sees him trying to shun commercialism, with largely successful results
‘WWE 2K23’ review: a return to form for the franchise
WWE 2K23 doesn’t try to reinvent the wheel, but it proves that Visual Concepts has learned from past mistakes.
‘Ted Lasso’ season three review: old pals face off in football comedy’s winning return
TV's friendliest soccer coach is met with a new opponent: his former kitman Nate Shelley
‘Divorce Attorney Shin’ review: Cho Seung-woo carries this otherwise pedestrian legal procedural
‘Thirty-Nine’ screenwriter Yoo Young-ah struggles to spin a distinctive, original tale out of this uninspired format
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