Philly punks Nothing are back from the brink with a new record that draws on some really, really bad times.
Primal Scream - '2013'
The first track to be taken from their tenth album 'More Light'
Driving along on the back of a warped saxophone refrain, urgent space-age backbeats and Shields' magnificent phasing guitar scree, '2013' finds Gillespie at his politicized best, delivering a state-of-the-downtrodden-nation address. "21st century slaves! A peasant underclass!" he hisses, bemoaning the fact that "every generation buys the lie just like the one before!" As he barks rousing slogans about teenage revolutions and rock'n'roll nations, targets "corruption" and "television propaganda", berates "Thatcher's children" and the chairman of BP ("guilty of war crimes") and urges us to "remember Robespierre" the left-wing French revolutionary leader with an itchy guillotine finger, Bobby is sparking the wave of musical revolt we'd been expecting from riot-kettled, benefit-capped, horsemeat-bloated Britain under the coalition.
It's just a little frustrating that it's old gits like the Scream that are leading the charge while our young pretenders sing about wanting to be best friends or just recycle old Howlin' Wolf songs. Like Bobby sings, "what happened to the voices of dissent? They're getting rich, I guess/Become a part of the establishment". But if '2013', with its ultramodern sonic sweeps and hyper-bolshy rhetoric, is saying anything it's 'the fight-back starts now, so either speak up or get out of the way'. '2013' could just be the most important song of the century, if we let it.
The Strokes dabble with sounds from throughout their career on a satisfying return
Once the thrill of the cast and visuals wears off, this follow-up to Tim Burton’s Alice In Wonderland is a drag
George Clooney and Julia Roberts bounce off each other like pros in this amusing take on fat cat greed
The hooks are plentiful and the energy’s palpable, but the Bottlemen still don’t have a ‘Wonderwall’