Zachary Cole Smith has overcome a multitude of problems to make this intensely powerful album
The Cribs - 'Chi-Town'
The Jarmans blaze back in fine style
The opening salvo from the band's forthcoming fifth album ‘In The Belly Of The Brazen Bull’, ‘Chi-Town’ (that’s slang for ‘Chicago’ to you and me) feels like it’s The Cribs beginning stage three of their career just as they mean to go on.
The track is a pressure cooker of stomping riffs and broad sea shanty melodies. It’s a ‘ra ra ra’ anthem for lounge lizards everywhere, evoking the carefree spirit of The Replacements' 'Tim’ and ‘Hootenanny’. It goes without saying that the team up with alt.rock hero Steve Albini on production duties is as inevitable as it is inspired.
It’s also as if the ‘proper rock’ poses of ‘Ignore The Ignorant’ never happened. ‘Chi Town’ (thankfully) finds the Jarmans retreating to an area of expertise they know best. The hipster fascinations of their lyrics live on in ‘Chi Town’ with Ryan’s reminiscing about the artistic commune he lived in for a couple of months (with Bobby Conn, no less!)
"You know the one/ You’re always there", Ryan sings, evoking the bonhomie of the theme from Cheers, while the piano line gives a wink to The Velvet Underground's 'I'm Waiting For The Man'. Unconsciously or not, the circular nature of the track suggests a scene curling in on itself, a scene that could collapse under the weight of its own highly strung artistic aspirations at any minute ('Hey Scenesters!' much?). A witty, multi-layered return from our favourite trio.
The film adaptation of R.L. Stine's classic horror novels is shockingly enjoyable
A defiantly bangerless take-me-seriously-as-an-artist album that reveals new charms every time you spin it
The utterly gripping story of how The Boston Globe exposed child abuse within the Catholic church
Hitmaker-for-hire makes a silk purse out of songs rejected by Rihanna, Adele and others